By Ross Jeffries / Published on June 30th, 2008 / Health & Medical
The other day I received this very good question from a reader
who wishes to remain totally anonymous, I'll call him "Anon":
"Ross,
Can Speed Seduction® patterns be used in school class room where
exist lots of students? Because in our place (not United States)
girls are much more conservative, if she wants to go out with you
to have a cup of coffee, it means maybe you are her good friend
or she like you a bit.
So I would like to know if these pattern skills can be used in
much more noisy places that include lot of people or even she has
a friend sitting aside her ?
(I bought the HSC product 20 days ago)"
RJ here:
First, congrats on your first steps into a whole new way of
understanding people, as well as nailing hot women!
Listen: "pattern skills" are about capturing and leading the
imagination.
Do people use their imaginations? Have their imaginations
awakened and led in crowds? In classrooms? With other people?
When alone? When walking, sitting, standing?
OF COURSE THEY DO!
Therefore, language (and approaches) that captures and leads the
imagination can be used.
ANY FUGGIN' PLACE YOU FIND YOURSELF, BUCKWHEAT!
Now listen: I am a bit concerned about your question. Here is
why.
From the way you put things, you seem to be thinking of patterns
as some weird, "outsider" "other" category of communication.
Something "alien", from another planet or another world that has
to be carefully hidden, like a UFO or a monster, lest people see
it unprepared and panic!
Please get this: the language patterns I present in the HSC (and
other products) may seem alien, or "foreign" or "dangerous" or
"odd" or "weird”, to YOU.
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But to women, they are a perfect match for how they think,
ANYWAY.
This kind of language is instantly and UNCONSCIOUSLY recognized
and responded to in a positive fashion by women, because it
matches the internal "maps" they have already laid down in the
deepest levels of their minds about what turns them on, moves
them, excites them.
Do you get it?
You are NOT introducing anything odd or weird or foreign... to
THEM.
Remember, language that would revolt, turn off, weird-out and
totally creep out us guys, is like HONEY to women.
That's the first thing to get.
Now, get this:
The patterns I present in the courses are only (ONLY) examples.
They are meant to train and teach and familiarize your mind with
the kinds of talk that turn women on.
Yes, by themselves, just as written, recited from memory, they
can often be VERY powerful.
But eventually, through using them and UNDERSTANDING HOW AND WHY
THEY WORK, I want you to be able to come up with you own,
original stuff.
Now, here is the next understanding, based on what I just said:
****Wherever possible, tailor, modify and adapt your language to
the unique situation and the unique audience and environment you
have in front of you****
How do you do this?
Well, first of all, you go beyond MEMORIZING. You have to really
understand and experience the idea of capturing and leading the
imagination and that this happens all the time.
You have to get that the imagination, fantasy, and right brain
visualizing and emotion controls MUCH more of human behavior than
you ever first realized, especially with women.
You have to experience how words can paint vivid mental images
and create strong flows of feeling.
You have to understand (UNDERSTAND!!!!) how vague language and
descriptive language can create huge flows of positive emotion
and trigger mental images.
Once you really understand, then you can go to modifying what you
say to fit your audience and the environment.
You can match your language to:
* Something going on in the physical environment.
* Something going on in the emotional environment
* Something your audience is DOING
* Something your audience is OBSERVING
(It doesn't' matter whether you audience is one woman or 2 dozen
women. These principles work regardless and irrespective of
numbers).
Another principle is: observe who is most responsive to your
words.
Example: let's say you are at a poetry reading and you are going
to get up on stage and read some steamy seduction poems, like my
"Fascination" poem which is actually in the BHSC.
What you want to do is SLOWLY read the poem, pausing as you go
and make eye contact with the audience. Watch to see which women
are most strongly responding: who is getting all "doggy dinner
bowl", with wide open eyes, lips parted, breathing heavy, even
nipples erect.
THOSE are the girls you will want to talk to, afterwards.
Whenever I am in a group of women, I always watch to see who is
most responsive. Those are the ones I will zero in on for more
attention.
Ok. Good questions. I hope the answers get you started.
RJ
VERY IMPORTANT P.S. I am shipping off the very first DVD copies
of my newest product: Secrets Of Gold-Walk-Ups, How To Use Speed
Seduction® To Easily Meet Women, Anytime, Anywhere (and never
worry about what to say).
Yates should get them in a few days. We aren't ready yet to sell
them, but they should be ready for you guys in about 2 weeks, so
watch the list closely for the announcement. You see great stuff
on how to use the Walk-Up Diamond, plus word for word sit down
scenarios once you have her attention to get her hot and steaming
in minutes, plus demonstration approaches with LIVE female
subjects. GREAT STUFF, 9 months in the making.
Straightforward Inc
822 Eagle Point Road
Van Alstyne TX 75495
United States
About the author:
"Speed Seduction Language". The unique primer on how to easily use it by Ross Jeffries, the controversial creator of Speed Seduction®. For more information like this you need to subscribe to our free newsletter at http://www.seduction.com